The Day Deserved
by Doug Hoekstra (April 30)
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1. |
Seaside Town
04:44
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2. |
Higher Ground
07:47
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3. |
Unseen Undetected
05:31
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4. |
Wintertime
04:40
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5. |
Late Night Ramble
07:39
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6. |
Carry Me
03:48
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7. |
Grace
04:28
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8. |
Gandy Dancer
05:15
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9. |
Keeper Of The Word
05:04
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10. |
Outside Looking In
06:53
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about
Doug Hoekstra is a Chicago-bred, Nashville-based creative whose poems, performances, songs, and stories, have criss-crossed the globe in publications and playlists, stages and setlists, his eight CDs and three books earning Independent Publisher Award, Pushcart Prize, Nashville Music Award, and Independent Music Award nominations, as well as a legion of friends and fans. His new album, The Day Deserved (Drop Autumn Records) will be released on April 30th, to be followed by a new short story collection Ten Seconds In-Between (Better than Starbucks press) in June.
The Day Deserved, is Hoekstra’s first album in over a decade, marking a stellar return to form and then some. Musically, the songs are diverse and deviate far from the typical singer-songwriter fare, with a nod to the likes of Cohen, Velvets, Kinks, and other folks Hoekstra tends to get compared to. All were fully demoed to explore arrangement ideas, but flowed from core band sessions, coalescing into a mix of the tight and the orchestral, reflecting rock, folk, and reggae touches, colors of everything from gypsy fiddle (“Seaside Town” a tale of a disenfranchised artist) to reggae roots melodica (“Carry Me,” an ode to fatherhood and connectedness). Lyrically the tunes are character based, but reflective of the day and the times.
Other highlights include the expansive build of “Higher Ground” (haunting guitars underscoring the viewpoint of an elderly man seeing his homeland disappear), the soul-inspired “Wintertime,” (layers of history, race, and music), the cello-driven “Unseen Undetected” (alternate tales of an immigrant and an intolerant, both heretofore hidden), and the funky noir fight the power groove of “Gandy Dancer” with its playful round robin vocals and honking saxophone.
The Day Deserved was recorded at Howard’s Apartment Studio in Nashville, Hoekstra co-producing with proprietor Dave Coleman. Core backing band was Dave on guitars, Hoekstra on rhythm guitars and keyboards, Chris Benelli on drums and percussion and Paul Slivka on bass. Guests included Jimmy Bowland (saxophone), Hannah Fairlight (vocals), David Henry (cello and violin), Jude Hoekstra (clarinet), and Preacher Boy (vocals). Album design by Bob Delevante; mastering by Jim DeMain at Yes Master.
The Day Deserved, is Hoekstra’s first album in over a decade, marking a stellar return to form and then some. Musically, the songs are diverse and deviate far from the typical singer-songwriter fare, with a nod to the likes of Cohen, Velvets, Kinks, and other folks Hoekstra tends to get compared to. All were fully demoed to explore arrangement ideas, but flowed from core band sessions, coalescing into a mix of the tight and the orchestral, reflecting rock, folk, and reggae touches, colors of everything from gypsy fiddle (“Seaside Town” a tale of a disenfranchised artist) to reggae roots melodica (“Carry Me,” an ode to fatherhood and connectedness). Lyrically the tunes are character based, but reflective of the day and the times.
Other highlights include the expansive build of “Higher Ground” (haunting guitars underscoring the viewpoint of an elderly man seeing his homeland disappear), the soul-inspired “Wintertime,” (layers of history, race, and music), the cello-driven “Unseen Undetected” (alternate tales of an immigrant and an intolerant, both heretofore hidden), and the funky noir fight the power groove of “Gandy Dancer” with its playful round robin vocals and honking saxophone.
The Day Deserved was recorded at Howard’s Apartment Studio in Nashville, Hoekstra co-producing with proprietor Dave Coleman. Core backing band was Dave on guitars, Hoekstra on rhythm guitars and keyboards, Chris Benelli on drums and percussion and Paul Slivka on bass. Guests included Jimmy Bowland (saxophone), Hannah Fairlight (vocals), David Henry (cello and violin), Jude Hoekstra (clarinet), and Preacher Boy (vocals). Album design by Bob Delevante; mastering by Jim DeMain at Yes Master.
credits
released April 30, 2021
license
all rights reserved
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Continental Record Services Netherlands
Continental Record Services represents (mostly North American) Americana and Blues artists in Europe. We handle distribution, PR and occasionally book tours for our artists.
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